Projects, ideas, and news worth sharing.

The March 11 edition of my newsletter is out, containing projects and interesting ideas to share, along with an opportunity to support the Ukraine people. See the newsletter here. The Ukraine t-shirts are here.

Projects, ideas, and news worth sharing.

The February 25 edition of my newsletter is out, containing projects and interesting ideas to share, along with a confession of theft! See it here.

Psyche loses her mind.

I had fun applying duotone and ‘glitch’ filters to one of my recent Bargue drawings, “Psyche of Naples.” The filters add visual interest to ordinary images, and make for an eye-catching poster or a coffee mug.

Color that packs a punch.

‘Color packs a punch’ newsletter is out. Photoshop filter experiments, Bargue drawings, and Charles & Ray Eames. See it here.

Highlights.

A friend recently admired a pair of earrings I was wearing, a gift from my daughter. I remembered that I had done a drawing of them a while back, and so went looking for it through the pages of stacks of sketchbooks. When I finally found it I was surprised at how much I liked it! It was done with a travel watercolor set, a water brush, black fineliners, and a Uni-ball Signo white gel pen. The drawing really came to life when the white highlights were added. The painted earrings are on the left, the actual earrings are on the right.

Sprinkle a little sunshine.

A local farmer’s market merchant needed a logo for her seed and nut mixture called Susie’s Sprinkles. Sue brought a lot of ideas to the table when we met. We brainstormed for a while, looking at various designs styles, typefaces, and color combinations. Then I went to work and created three unique looks for her company. She was particularly interested in the one that used the big monogram S, so that’s what we went with. After some back-and-forth with changes in color and details, here’s the result.

You can find Susie’s Sprinkles on Facebook.

I love graphite — come matt or shine.

A complaint I often hear about graphite is that you can’t get really dark darks without also getting shine. So I was eager to try the new Faber Castell matt graphite pencils.

I ordered the set of 12 (though I see now all Amazon has is a set of 6) which had from HB through 14B. The 14B got plenty dark, and there really ISN’T much of a shine. As the pencils progress in darkness, they increase in carbon content, rather than graphite. The carbon keeps them from producing a shine. You can see in my drawing of the leaves that the shadows are pretty dark, and there’s no shine. It also lifts up well with a kneaded eraser, as long as you haven’t been too heavy-handed when laying down the shadows. 

I’ve read mixed reviews from other people. To me, they handled a lot like Prismacolor pencils. Not a bad thing, but different from regular graphite. 

Marian Bantjes — contemporary designer/artist/letterer.

Marian Bantjes is known for her obsessive patterning and ornament, whether hand-drawn or created digitally. This design was one of three holiday cards she did for Amorial Paris. It reminds me of how much fun I had with my Spirograph when I was a kid. But I never could keep my pen from jumping around the teeth of the plastic gears!

I bought Marian’s book, I Wonder, several years ago. It is a feast for the eyes, and also presents her ideas about the importance of the practical side of commercial projects, as opposed to the aesthetic qualities.

Hallmark & Dalî?

For Christmas 1960, Hallmark commissioned Salvador Dalí to design some holiday greeting cards. It was an initiative led by Hallmark founder Joyce Clyde Hall to show the work of great artists to people who might not otherwise see it.

Dali asked for $15,000 in cash in advance for 10 card designs, specifying that he receive no input from Hallmark on subject or medium, no deadline, and no royalties. His designs included “Surrealist renditions of the Christmas tree and the Holy Family,” as well as a headless angel playing a lute, and the three wise men atop some wild-looking camels.

Hallmark only produced two of the designs, a nativity scene and a depiction of the Madonna and Child. Even those relatively tame images didn’t go over well, and negative public response soon convinced Hallmark to drop Dalí’s cards from their product line.

You might not be able to get Hallmark Christmas cards by Dalí, but you CAN get a Dalí ornament made from Polish blown glass! 

Alexander Girard — then and now.

Architect and designer Alexander Girard was extremely prolific during the 1960s and 1970s. I bet you’d recognize his work — take a look at this excellent video from a recent episode of CBS Sunday Morning (under 5 minutes long). This Christmas card an example of his skill with typography and lettering (his font, Sansusie, is one of my favs). He’s very much back in vogue: Girard’s family is reintroducing him to new generations with this website, House Industries is selling a wooden Alexander Girard Nativity based on his characters (update: nativity is no longer available), and there’s even an Alexander Girard coloring book!

More holiday inspiration from great designers.

Continuing with the theme of classic holiday cards I found while looking for inspiration for my own clients’ projects this year, here’s one from Paul Rand designed in the 1960s. I wish I would have thought of this for an assignment when I was teaching commercial art: design a holiday card inspired by an indoor sport. Such a smart design!

Holiday card inspiration from the greats.

While designing Christmas cards for clients, I’ve been looking at past examples from some of my favorite designers/illustrators. Here’s a 1960s card from Milton Glaser (my all-time favorite), created for a typography company called Advertising Composition. He fashioned a Christmas tree from the type settings of its catalog. Anyone remember the days of type-specking?

BTW, Milton’s book Drawing is Thinking is an excellent ‘read’ (if you can call it ‘reading’) and demonstrates his idea that drawing is not just a way to represent reality, but a way to understand and experience the world.

All roads lead to Rome.

 

I can’t resist posting this drawing of St. Peter’s Basilica in Rome from my sketchbook, because tomorrow is one of the last classes for my Smithsonian World Art History certificate and the subject is Italian architecture. I drew this during a previous Smithsonian class using Pigma Micron pens in a variety of sizes. These pens wear out kind of fast, but they’re waterproof so I can add color.

I wish I had drawn it from life, but alas, no.

A poppy for Veteran’s Day.

Tomorrow is Veteran’s Day, and we’ll probably see a lot of poppies as a symbol of remembrance. Here’s a little illustration of a poppy I did in my sketchbook a while back, and some info about how that tradition got started.

From The Poppy Story on the American Legion’s website: “After World War I, the poppy flourished in Europe. Scientists attributed the growth to soils in France and Belgium becoming enriched with lime from the rubble left by the war. From the dirt and mud grew a beautiful red poppy. The red poppy came to symbolize the bloodshed during battle following the publication of the wartime poem “In Flanders Fields.”

You can read more about The Poppy Story on the American Legion’s website, where you can also download a poster of “In Flanders Fields.” And here’s a sweatshirt featuring my illustration.

In Flanders Fields
By John McCrae

In Flanders fields the poppies blow

Between the crosses, row on row,

    That mark our place; and in the sky

    The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

    Loved and were loved, and now we lie,

        In Flanders fields.

Take up our quarrel with the foe:

To you from failing hands we throw

    The torch; be yours to hold it high.

    If ye break faith with us who die

We shall not sleep, though poppies grow

        In Flanders fields.